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| Pan-Acousticon |
|
Zeena
Parkins |
|
|
Tzadik,
NYC 1999 |
|
| Mouth=Maul=Betrayer |
|
Zeena
Parkins |
| |
|
Tzadik;
NYC 1996 |
|
| Isabelle |
|
Zeena
Parkins |
| |
|
Avant
Records, Japan 1995 |
| |
|
|
| |
|
 |
|
| No
Way Back |
|
Zeena
Parkins |
| |
|
Atavistic,
Chicago 1998 |
|
| Nightmare
Alley |
|
Zeena
Parkins |
| |
|
Table
of the Elements, San Francisco 1993 |
|
| Something
Out There |
|
Zeena
Parkins |
| |
|
No
Man's Land, Germany 1987 |
| |
|
|
|
|
| Ursa's
Door |
|
Zeena
Parkins |
| |
|
Les
Disques Victo, Victoriaville 1992 |
| |
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| |
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| Haco |
|
Zeena
Parkins, Samm Bennett,
Uchihashi Kazuhisa,
Kam-Pas-Nel-La |
|
|
FBI
Works, Kobe 1998 |
|
| Psycho-Acoustic |
|
Zeena Parkins & Elliott Sharp |
|
|
Blackburst,
Victo, 1996 |
|
|
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| Sharks! |
|
Zeena
Parkins & Chris Cutler |
|
|
Re
Records, London, 1996 |
|
|
|
| The
Gift of Tongues |
|
Zeena
Parkins, Lee Renaldo,
William Hooker |
|
|
KFW,
NYC, 1996 |
|
|
|
| Country
of Blinds |
|
Skeleton
Crew
(Fred Frith, Tom Cora,
Zeena Parkins) |
|
|
RecRec,
Zurich, 1986 |
|
|
|
| News
From Babel |
|
Chris
Cutler, Lindsay Cooper,
Zeena Parkins, Letters Home |
| |
|
Re
Records, London, 1986 |
| |
|
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| |
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| An
Ear for a Leg |
|
Various
Artists |
|
|
Zoar, NYC, 1999 |
|
|
|
| Hallelujah,
Anyway |
|
Various Artists
-Tribute to Tom Cora |
|
|
Tzadik,
NYC,1999 |
|
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|
| Fear
No Fall |
|
O'Rourke/Parkins/Kondo/
Shea/Low/Wachtelaer |
|
|
Lowlands,
Belgium.1998 |
|
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| Great
Jewish Music: |
|
John
Zorn |
|
Burt Bacharach |
|
Tzadik;
NYC, 1997 |
|
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| State
of the Union |
|
Elliott
Sharp |
|
|
Atavistic,Chicago,
1996 |
|
|
|
| Confederacy
of Dances |
|
Zeena Parkins solo |
|
|
|
Einstein
Records, NYC, 1992 |
|
|
|
| Angelica
91 |
|
Fred Frith's Keep the Dog |
|
|
Caicai
Records, Italy, 1992 |
|
|
|
| Exquisite
Corpses |
|
From P.S.122 |
|
|
Whats
Next Records,
Santa Fe, 1990 |
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|
New York Eye & Ear Control |
|
Various Artists |
|
|
OWT,
Matador, NYC, 1990 |
|
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| Live
at the Knitting Factory |
|
No Safety |
|
|
A&M
Records, 1990 |
|
|
|
| Real
Estate: New Music |
|
Zeena
Parkins |
| From
New York |
|
Ear-Rational,
Germany 1990
|
|
|
|
| Island
of Sanity |
|
Skeleton
Crew |
|
|
No
Man's Land, Germany, 1987 |
|
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|
| Summer
of Love |
|
No Safety |
| |
|
Shimmy
Disc, NYC, 1987 |
| |
|
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| |
|
|
| The
Inkling |
|
Nels
Cline |
|
|
Crypto
Gramophone,
Venice,Ca, 2000 |
|
|
|
Fred
Frith:
Traffic Continues |
|
Ensemble Modern with soloists
Ikue Mori, Zeena Parkins
and Fred Frith |
|
|
Winter
& Winter, Munich, 2000 |
|
|
|
| John
Zorn |
|
The
Bribe |
|
|
Tzadik,
NYC, 1998 |
|
|
|
| Ikue
Mori |
|
B-Side |
|
|
Tzadik,
NYC, 1998 |
|
|
|
| Elliott
Sharp |
|
Tectonics/Field
and Stream |
|
|
Atonal,
Berlin, 1997 |
|
|
|
| Peter
Scherer |
|
Cronologia |
|
|
Tzadik,
NYC, 1996 |
|
|
|
Zeena
Parkins
& Elliott Sharp |
|
Chipfarm |
| +
Japanese Bands |
|
God
Mountain,Tokyo,1995 |
|
|
|
| David
Shea |
|
The
Tower of Mirrors |
|
|
Sub
Rosa, Brussels, 1995 |
|
|
|
| Gate |
|
Michael
Morley, Lee Renaldo,
Zeena Parkins |
|
|
Forced
Exposure, Boston, 1995 |
| |
|
|
| David
Shea, Hsi-Yu Chi |
|
Tzadik;
NYC, 1995 |
|
|
|
| Hex
Kitchen |
|
Ikue
Mori |
|
|
Tzadik;
NYC, 1995 |
|
|
|
| Very
Neon Pet |
|
Peter
Scherer |
|
|
Capitol
Records, Hollywood,1995 |
|
|
|
| Prisoner |
|
David
Shea |
|
|
Sub
Rosa, Belgium, 1994 |
|
|
|
| Slut |
|
Hoppy
Kamiyama |
|
|
God
Mountain, Tokyo, 1994 |
|
|
|
| I
Don't Like Myself |
|
Sion |
|
|
Teichiku
Records, Japan, 1993 |
|
|
|
| La
Legende de la Pluie |
|
Hetu
/ Labrosse /
Zeena Parkins /
Roger / Tenko |
|
|
Ambiances
Magnetique, 1993 |
|
|
|
| Shock
Corridor |
|
David
Shea |
|
|
Avant
Records, Japan, 1992 |
|
|
|
Duos
:
Europa - America - Japan |
|
Peter
Kowald |
|
|
FMP,
Germany, 1991 |
|
|
|
| The
Bends |
|
Third
Person
(Tom Cora & Samm Bennett) |
|
|
Knitting
Factory Works, NYC, 1991 |
|
|
|
| Step
Across the Border |
|
Fred
Frith |
|
|
RecRec,
Zurich, 1990 |
|
|
|
| 100
of the Worlds Most |
|
Nicholas
Collins |
|
Beautiful Melodies |
|
Trace
Elements, NYC, 1989 |
|
|
|
| Gradual
Disappearence |
|
Tenko,
Slope |
|
|
RecRec,
Zurich, 1987 |
|
|
|
| 143
Ludlow, NYC |
|
Takashi
Kazamaki
w/Samm Bennett and
Zeena Parkins |
| |
|
Dossier,
Germany,1988
|
| |
|
|
|
| |
|
|
| Graphic
Scores (1986-96) |
|
Fred
Frith |
|
|
Angelica,
Bologna.1999 |
|
|
|
| Northern
Dancer |
|
Jim
Staley |
|
|
Einstein
Records, 1996 |
|
|
|
| Interference |
|
Elliott
Sharp's Carbon |
|
|
Atavistic,
Chicago, 1996 |
|
|
|
| Hope
and Despair |
|
Kato
Hideki |
|
|
Extreme,
Australia, 1996 |
|
|
|
|
Conduction 38, 39, 40 |
|
Lawrence
D. "Butch" Morris |
|
|
New
World Records; NYC, 1995 |
|
|
|
| Conduction
15 |
|
Lawrence
D. "Butch Morris |
|
|
New
World Records; NYC, 1995 |
|
|
|
|
Amusia |
|
Elliott
Sharp's Carbon |
|
|
Atavistic,
Chicago, 1995 |
|
|
|
| Autoboot
|
|
Elliot
Sharp's Carbon |
|
|
bootleg
CD, NYC, 1994 |
|
|
|
| Truthtable |
|
Elliot
Sharp's Carbon |
|
|
Homestead
, 1993 |
|
|
|
| Don
Giovanni |
|
Jim
Staley |
|
|
Einstein
Records, NYC, 1992 |
|
|
|
| Dust
to Dust |
|
Butch
Morris |
|
|
New
World / Cross Currents,
NYC, 1991 |
|
|
|
| Tocsin |
|
Elliot
Sharp's Carbon |
|
|
Enemy
Records, Germany, 1991 |
|
|
|
| K!L!V! |
|
Elliot
Sharp |
|
|
Newport
Classic,
Rhode Island, 1990 |
|
|
|
|
Datacide |
|
Elliot
Sharp's Carbon |
|
|
Enemy
Records,
Germany, 1990 |
|
|
|
| Cobra |
|
John
Zorn |
|
|
Hat ART Records,
Switzerland, 1987 |
|
|
|
Current
Trends in
Racism in America |
|
Butch
Morris |
|
|
Sound
Aspects,
Germany, 1986 |
| |
|
|
|
|
